In the 1930s, Leni Riefenstahl (1902–2003) became the foremost director of propaganda films for the Third Reich, best known for her Triumph of the Will. Her work won her the admiration of Hitler and Goebbels, but also of numerous other filmmakers and critics who admired her cinematographic skill. After the war, she insisted that she was an apolitical artist and that she was shocked to find out about the depths of Nazi barbarism. A new documentary by Andres Veiel, based on extensive research into her personal papers, gives the lie to these unconvincing, but widely believed, claims. Kate Connolly writes:
Veiel’s film recounts how she was heaped with praise from the public, in particular after appearing on a late-night chat show in 1976, alongside a former member of the workers’ anti-Nazi resistance movement, Elfriede Kretschmer. Riefenstahl was applauded after talking of the shock she felt on becoming aware, only after the war, of the atrocities committed by the Nazis, and how her “wounds have still not healed,” as Kretschmer looked on in disbelief.
Riefenstahl followed Adolf Hitler to Poland at the start of the Second World War in September 1939, and saw the [massacre of Jews] take place in Końskie, a town in south-central Poland.
The documentary draws on about 30 hours of cassette recordings of postwar telephone conversations with members of the public, including former Nazis, who had called to offer Riefenstahl their moral support in response to what they regarded as attempts to sully her for her close association with the Nazis. One unidentified caller said the “morality, decency, and virtue” of the Nazi era would return, with Riefenstahl responding: “Yes, the German people are predestined for that.”
One letter written by Riefenstahl to a longtime companion openly expresses her unmitigated regret about the end of the Nazi era. In it she talks of her “murdered ideals.”
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