In 1967, Joseph Epstein was hired as part of an editorial team tasked with revising and updating the Encyclopedia Britannica. Not long thereafter, Mortimer J. Adler, the son of Jewish immigrants from Germany and the great evangelist of popularizing philosophy, took over the project. Of Adler, Epstein writes, “Mortimer’s intentions were of the highest; his grasp of reality of the lowest.” But Adler was one of many fascinating characters Epstein describes, and certainly not the only Jew:
Clifton (or Kip, as he was known) Fadiman’s story was that he had hoped to go to graduate school in English at Columbia, but was told that the English department there already had accepted Mr. Lionel Trilling, its way of saying that the graduate-student quota for Jews was filled, thank you very much.
Kip Fadiman had a Jewish problem, and not only with the Columbia English department. Born in Brooklyn in 1904, the son of a druggist and a nurse, he expressed his discomfort with his Jewishness through the novel mode of extreme pretension. At a meeting about the reorganization of Britannica, he composed a rubric for the new table of contents that ran: “The beginning of cinema: the curious confluence of an emerging technology and a surgent entrepreneurial ethnic group.” When this was read aloud in one of our many editorial meetings, Robert Hazo passed a note to me that read, “I think he means the Jews got there first.”
More about: American Jewish History, Lionel Trilling