In Jerusalem, an Ideal Audience for Chamber Music

Oct. 11 2016

Visiting Palestine in 1936, the famed conductor Arturo Toscanini commented that “even the peasants here know music.” (The peasants in question were in fact German doctors- and lawyers-turned-kibbutzniks.) Reviewing September’s Jerusalem International Chamber Music Festival, Norman Lebrecht argues that Israel can still provide “what every musician seeks most, namely a public that is as passionate and knowledgeable as himself.”

The first thing [performers at the festival] encounter is silence. In four days of concerts, twice a day, I did not hear a single cough. “The best concentration anywhere,” says Elena Bashkirova, the festival’s artistic director. Programs are unyieldingly highbrow. Concerts contain at least five major works and last two-and-a- half hours. There are no encores. The public leaves the premises deep in thought. “The quality of the public is unique,” says Bashkirova. “If I put on something difficult, . . . they don’t complain. On the contrary, people come to me and say, ‘Please keep doing this, we want to learn.’” . . .

Bashkirova thinks her ideal audience arises from a particular Jerusalem tension which drives the rest of the world to distraction. She may well be right. But I can’t help blaming a music industry that reduced the art to ubiquity. We are never more than an arm’s length away from a masterpiece, on record or online. We are never more than a short flight away from any piece we might wish to hear. Music has lost value. We have forgotten the effort that it requires, as performer and listener. I found it again in Jerusalem.

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Read more at Standpoint

More about: Arts & Culture, Classical music, Israel & Zionism, Jerusalem

Iran’s Dangerous Dream of a Triple Alliance with Russia and China

Aug. 16 2022

Unlike Hamas, which merely receives support from the Islamic Republic, Palestinian Islamic Jihad (PIJ)—with which Israel engaged in a short round of fighting last week—is more or less under its direct control. In fact, the recent hostilities began with a series of terrorist attacks launched by PIJ from Samaria, which might in turn have been a response to Supreme Leader Ali Khamenei’s call “to open a new front in the West Bank against the Zionist enemy.” Amir Taheri writes:

In Gaza, the Islamic Republic has invested heavily in promoting Hamas and Palestinian Islamic Jihad. . . . Islamic Jihad is in a minority in Gaza, hence the attempt by Tehran to help it create a base in the West Bank.

Reliable sources in Baghdad say that [Iran’s expeditionary and terrorist paramilitary] the Quds Force has been “transiting” significant quantities of arms and cash via Iraq to Jordan, to be smuggled to the West Bank. The Jordanian authorities say they are aware of these “hostile activities.” King Abdullah himself has publicly called on Iran to cease “destabilizing activities.”

But such schemes, Taheri explains, are part of a larger strategic vision of creating a grand anti-Western alliance even while engaging in nuclear negotiations with the U.S. and Europe:

Last month, Khamenei praised Vladimr Putin for his invasion of Ukraine. And this month, China’s ambassador to Iran, Chang Hua, praised the Islamic Republic for supporting China in “asserting its sovereignty” over Taiwan.

It is clear that some dangerous pipe-dreamers in Beijing, Moscow, and Tehran have fallen for the phantasmagoric vision of “three great powers” banding together and with help from “the rest,” that is to say, the so-called Third World . . . to destroy an international system created by the “corrupt and decadent.”

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Read more at Gatestone

More about: China, Iran, Islamic Jihad, Israeli-Palestinian Conflict, Russia, West Bank