Last month would have been the 100th birthday of Ephraim Kishon, widely considered Israel’s greatest satirist. Kishon’s work spanned books, films, and even board games. Hillel Kuttler examines his legacy:
Experts tie Kishon’s keen observations of society, from the perspective of an average Israeli, to his being an outsider. Kishon was a Holocaust survivor from Hungary whose name—he was born Ferenc Hoffmann—was Hebraicized by a port official upon immigrating in 1949.
He quickly learned and mastered Hebrew and soon was penning columns in the language in local newspapers. He went on to write books and screenplays and make films. Two of the five movies he directed, Sallah Shabati (1964) and The Policeman (1971), which he also wrote and co-produced, earned Academy Award nominations as best foreign-language films.
Every August, a Jerusalem theater hosts a weeklong humor festival in Kishon’s honor. And this year’s did not disappoint by bringing with it the sort of scene Kishon himself might have created, thanks to a controversial poster for a play performed at the festival:
The poster shows the faces of three men and the play’s title, Naked. The word is meant as a metaphor for the show’s theme: a behind-the-scenes look at how a circus operates. No one is nude. But some Jerusalem residents presumed indecency and pressured the mayor’s office to withdraw its funding for the festival and to shut down the show.
More about: Israeli culture, Satire