While the “who” of the hostage releases remains the most pressing question, the “how” is not to be ignored. Hamas, evidently in response to Israeli complaints, has avoided in the past two weeks the mob scenes that accompanied earlier releases, choosing instead to stick with the sadistic ceremonies where hostages are forced to wave to an audience of Hamas members and read prepared statements. Rachel O’Donoghue comments:
Hamas wanted to send a message to the Israeli public—the very people it had so brutally attacked on October 7—that it remained unbowed and undefeated. . . . That’s why Hamas operatives arrived [at the ceremonies] dressed in stolen IDF uniforms, brandishing Israeli weapons looted from their October 7 massacre. That’s why the hostages were transported to the release point in a vehicle stolen on that same day. It was psychological warfare wrapped in a grotesque display of theater.
Another intended recipient of Hamas’s performance was the international media. With billions of people in their reach, these outlets inform the masses—and as we have seen, many have been all too willing to launder Hamas’ image, buying into its propaganda. That’s why Hamas has eagerly invited journalists to film these grotesque spectacles, confident that much of the press will fail to call them what they are.
CNN, for instance, referred to the perverse gifts Hamas gives the released hostages as “memorabilia.”