The annual Coachella music festival, held in the southern California desert, has since 1999 been one of the most important events in popular music. (Ticket prices start at $599.) This year, a North Irish rap group began its performance by chanting, “Free, free,” to which the crowd knew to respond “Palestine.” After the back-and-forth grew in intensity, the band projected the words “F— Israel. Free Palestine” in giant lettering, to much cheering.
Peter Himmelman, who has spent his career in the music business, comments on this “raucous, euphoric, and deeply disturbing” scene.
First and foremost, these men are professional performers. They know exactly how to grab an audience’s attention. They’re savvy provocateurs who understand what a naive, young, ill-informed crowd wants: tribal affiliation, seduction, powerful basslines, and the optics of morality. . . . They didn’t come to challenge the audience. They came to flatter them. They handed them a chant, a cause, and the Jews—a familiar enemy that crops up in the world’s dark imagination every 70 to 100 years. It had all the elements of a movement, minus the need to think.
The memory of the brutal massacre at the nearly identical Nova music festival was completely erased. The rapes, the torture, the kidnappings—gone. October 7 vanished into the desert air, replaced by an easy-to-chant slogan and a false sense of righteousness.
Read more at Peter Himmelman’s Morning Musings
More about: Anti-Semitism, Gaza War 2023, Popular music