In an interview on Sunday, National Security Advisor Jake Sullivan stated that the Biden administration remains committed to nuclear negotiations with the Islamic Republic, even as it pursues its brutal crackdown on the protests that have swept the country. Robert Satloff argues not only that it is foolish to pursue the renewal of the 2015 nuclear deal, but also that the White House’s current approach is failing on its own terms:

[The] nuclear threat is much worse today than it was when President Biden took office. Oddly, Washington hasn’t really done much about it. On the diplomatic front, the administration has sweetened its offer to entice Iran into a new nuclear deal. While it quite rightly held firm on Iran’s demand to remove the Islamic Revolutionary Guard Corps from an official list of “foreign terrorist organizations,” Washington has given ground on many other items.

On the nuclear side of the agreement, the United States has purportedly agreed to allow Iran to keep, in storage, thousands of advanced centrifuges it has made contrary to the terms of the original deal. . . . And on economic matters, the new deal purportedly gives Iran immediate access to a certain amount of blocked assets, before it even exports most of its massive stockpile of enriched uranium for safekeeping in a third country. . . . Even with these added incentives, Iran is still holding out on an agreement. Indeed, according to the most recent reports, Tehran has actually hardened its position.

Regardless of the exact reason why, the menacing reality is that Iran’s nuclear program is galloping ahead—and the United States is doing very little about it. . . . The result has been a stunning passivity in U.S. policy toward the Iran nuclear issue.

Reviewing Stranger Than Fiction, a new history of the 20th-century novel, Joseph Epstein draws attention to what’s missing:

A novelist and short-story writer who gets no mention whatsoever in Stranger Than Fiction is Isaac Bashevis Singer. When from time to time I am asked who among the writers of the past half century is likely to be read 50 years from now, Singer’s is the first name that comes to mind. His novels and stories can be sexy, but sex, unlike in many of the novels of Norman Mailer, William Styron, or Philip Roth, is never chiefly about sex. His stories are about that much larger subject, the argument of human beings with God. What Willa Cather and Isaac Bashevis Singer have that too few of the other novelists discussed in Stranger Than Fiction possess are central, important, great subjects.