Today’s newsletter began by discussing America’s rabbinic seminaries, and it will end with them as well. Matt Austerklein examines the unique status of cantors in 19th-century Britain, and argues that these attitudes did much to shape the cantorial profession, and cantorial training, in the U.S.
Many norms of American Jewish life are undeniably British. The United Synagogue of Conservative Judaism, founded in 1913, was originally conceived of by the Anglo-Jewish academic, Solomon Schechter, as a parallel to the United Synagogue in Great Britain, and even his own religious concepts relied on Anglican ideas and terms. American-Jewish music is also indebted to this British influence, as Schechter’s wife Mathilde published a hymnal which includes several British melodies now in use throughout American synagogues.
Great Britain deserves credit for having the first cantorial school in history. Predating American cantorial schools by almost a century, London’s Jews’ College was founded in 1855 to afford a “liberal and useful Hebrew and English education to the sons of respectable parents, and training of Ministers, Readers, and Teachers.” The term “reader” here refers to cantors. . . . It is notable that Albert Hyamson, the chronicler of the first century of Jews’ College, wrote that the ministering function in Britain was firstly a cantorial one.
More about: American Jewish Heritage Month, Anglo-Jewry, Cantors