On Saturday night, Ashkenazi Jews began reciting the pre-Rosh Hashanah penitential prayers known as slihot. Joshua Berman takes a close look at the raw, striking, and disturbing imagery used in one of these prayers:
Medieval Ashkenazi communities lived under the constant threat of sexual violence against Jewish women, a terror so pervasive that in the 11th century, the Italian poet Solomon ben Judah ha-Bavli penned a liturgical piece portraying Israel as a bride who had been raped. The tradition is rich with stories of women who chose martyrdom over defilement, but ha-Bavli’s composition is unique in its exploration of the inner life of a sexual-trauma victim.
For this bride, virginity is tied to a sense of bodily autonomy and personal identity. Her rape shatters this autonomy, leaving her with a profound sense of violation and loss. The future she had envisioned with her groom was taken from them, dashing her dreams and plans, leading to a sense of despair or hopelessness.
This is the only slihot prayer in which Israel is cast as a victim of sexual assault, and, significantly, it is also the only one where Israel’s sins are never mentioned. These two facts are deeply connected. Ha-Bavli’s piyyut, [liturgical poem], is not simply a cry for mercy, it is a protest. It is a demand for justice, rooted in the understanding that, in rape, the victim is never to blame. Israel stands before God not as a sinner seeking forgiveness but as a victim crying out for justice.
More about: High Holidays, Judaism, Piyyut