In Submission, his most recent novel, the French writer-provocateur Michel Houellebecq imagines France after an Islamic takeover. The book, argues Amir Taheri, is as much a critique of European decadence as a warning about the dangers of radical Islam:
It is, of course, possible to read Submission as an exercise in tongue-in-cheek provocation. The trouble is that the self-loathing it portrays is real. Many Frenchmen see their society as drifting in uncertain waters without an anchor. They are concerned by increasingly powerless elected governments, distant bureaucrats who intervene in every aspect of people’s lives, and an economic system that promises more and more but delivers less and less. Advocates of the view that the West is in “decline” claim that Europeans no longer believe in anything and are thus doomed to lose the fight against home grown Islamists who passionately believe in the little they know of Islam.
The novel partly answers the question that many French are asking these days: What do jihadists want? The answer is that they don’t want anything in particular because they want everything. They want to seize control of your life and dictate its every aspect to the last detail. In exchange, they offer you security and a share of whatever cake may remain.
Houellebecq’s novel ends without its hero specifically accepting the bargain, although he clearly tilts towards doing so. In other words, the French, even seven years from now (the novel is set in 2022), still have a choice. My guess is that the overwhelming majority of the French will not feel the same temptation felt by Houellebecq’s narrator.
More about: European Islam, France, Jihadism, Literature, Western civilization