What Cynthia Ozick Rejects, and Why She Rejects It https://mosaicmagazine.com/picks/uncategorized/2016/06/what-cynthia-ozick-rejects-and-why-she-rejects-it/

June 27, 2016 | Giles Harvey
About the author:

In a profile of the novelist, critic, and essayist Cynthia Ozick, who has just published a new volume entitled Critics, Monsters, Fanatics, and Other Literary Essays, Giles Harvey comments on her Jewish commitments:

Jewishness, her work also insists, depends upon the principle of havdalah, or distinction-making. Jew and Gentile, God and man, or . . . God and idol: these are categories that should not be muddled. The same goes for literature, and for the judgment of literature. According to Ozick, literature is different from all other human activities, and its singularity consists in its recognizing and honoring human difference. Its purpose, she has said, is “to light up the least grain of being, to show how it is concretely individual, particularized from any other.”

Ozick the channeler of the literary past may seem remote from our present literary debates, dominated as they are by issues of representation, but her work offers a liberating model of engagement with identity. Her commitment to Judaism sharpens her powers of discrimination and inoculates her against the dubious allure of the universal. In a marvelously indignant essay on Anne Frank, she protests the diarist’s assimilation by mainstream culture, the way in which she has been “infantilized, Americanized, homogenized, sentimentalized; falsified, kitschified and, in fact, blatantly and arrogantly denied.” Sapped of quiddity, she has become “an all-American girl.”

Read more on New York Times: http://www.nytimes.com/2016/06/26/magazine/cynthia-ozicks-long-crusade.html