The late statesman’s supposed knowledge of Yiddish bordered on the mythic. And myth it was, for his admirers routinely exaggerated his facility with the language.

In his new essay collection, my friend Hillel Halkin offers an autobiographical overview, unorthodoxly given, in a lifetime’s worth of literary attempts.

In some cases, changes were minor. In others, Yiddish phrases were transformed nearly beyond recognition.

A professor of Jewish art finds himself turning from one explanation of a puzzling drawing found in an old manuscript to another—and then possibly back again.

The Israeli director and the American rabbi team up to discuss her groundbreaking film about marriage and Jewish life.

The eminent writer joins us to reveal the Jewish dimensions of her latest book.

“The New Colossus” by Emma Lazarus and “The Silver Platter” by Natan Alterman distill, reinforce, and hallow what makes each nation distinctive.

A newly rediscovered 1938 novel offers one man’s examination of how and why the single word “Jew” has come to define him.

Quite a few masculine and feminine Hebrew words, when pluralized, take the form of the opposite gender. Why?

Once a month in Manhattan, a small group of committed collectors gather to share their latest finds, identify fakes, pass on knowledge, and share in the arts of material remembering.

The Jewish Soul: Classics of Yiddish Cinema, a recent collection from a major distributor, adds to the canon of Jewish movies in fascinating new ways.

Meir Soloveichik explains how the seder’s four cups of wine elevate the holiday, while two enthusiasts recommend their favorite wines from the great regions of Jewish viticulture.

A set of Torah shields recently exhibited by Sotheby’s isn’t just beautiful—it also contains a hidden biblical portrait of the court Jew’s inner conflict.