The Met’s Birkenau blunder.
A new exhibit paints an ambiguous picture.
Joseph-Philibert Girault de Prangey.
How the Met, in its exhibition Jerusalem 1000-1400 and in its defense against critics of that exhibition, exploits the vocabulary of openness.
An exhibit at New York’s Metropolitan Museum featuring two illustrated manuscripts of Maimonides’ legal code, Mishneh Torah, is a model for how Judaica should be. . .