Afterlives treats history as if it were a burden.
Louise Bourgeois, artist without context.
Once a month in Manhattan, a small group of committed collectors gather to share their latest finds, identify fakes, pass on knowledge, and share in the arts of material remembering.
In Paris, an unoriginal exhibition of Chagall’s middle-period paintings has entranced both audiences and critics; in Liverpool, a show of his prodigious early work has. . .