In The Smoke, the latest from the British writer Simon Ings, “Bundists” turn into grotesque shape-shifters. The implications are at once unclear and unsettling.
Grasping the special virtues of Zion’s Fiction.
Private detectives, body-switching, fairies, and Jeremiah’s smartphone.
Deified by their Soviet readers, Arkady and Boris Strugatsky are beginning to find increasing numbers of readers in America.
Mindless automatons on the Jewish mind.
Nothing much, and nothing good.
Why does Dune portray the Jews as a “fossil-people”?