Apologists for the campus demonstrations against Israel frequently point to the presence of Jews in the ranks of the protesters, who are often members of anti-Zionist Jewish groups such as IfNotNow. Among the founders of this group is Simone Zimmerman, who describes herself as, “like the best the Jewish community has to offer.” Zimmerman is one of the two stars of the documentary Israelism, released last year. Its thesis, Yehuda Kurtzer writes in his review, is that
the American Jewish community is committed to lying about the political plight and suffering of the Palestinians because if they told the truth, young Jews would reject Israel (and perhaps Judaism) in even larger numbers than they already do.
The film, Kurtzer observes, “is so one-sided and so certain of its own virtue and rightness that critique seems almost beside the point.” What is most striking to him is the way it frames its story of how Zimmerman and another American-born Jew achieve enlightenment:
Whether the film is conscious of it or not, the archetype here is Paul, who had been the Pharisee Saul until he had a vision on the road to Damascus, not too far from the one Simone had on the streets of Bethlehem. Paul’s vision transformed him from a self-described persecutor of Christians to Christianity’s first great evangelist. He went from being fierce, ignorant, and sad to happy, articulate, and liberated, as, the film shows us, has Zimmerman. Like Paul, Simone’s conversion moved her from a self-interested cloud of particularism to a vision of spiritual universalism—“There is neither Jew nor Gentile, neither slave nor free, nor is there male and female,” Paul tells the Galatians.
The Pauline trope helps explain two key dimensions of the film. Its insistence that young American Jews are lied to makes sense once one understands that the Jewish community has placed scales upon their eyes. And once the scales fall away and the truth is revealed—once one sees the horrifying truth that has been hidden—one must become an evangelist and bear the tragic burden of preaching the gospel, even at the cost of alienation from the community one seeks to transform.
For the enlightened, everything that runs counter to their new narrative must be a lie. This naturally gives rise to conspiracy theories. How else can one explain how the plain truth has been hidden, except through the perfidy of deception? This assumption helps explain the surprising plot turn of the second half of Israelism. The film argues explicitly that the rise of Donald Trump, and therefore the emboldening of the white supremacist antisemitism, is the fault of the pro-Israel community in America.
Read more at Jewish Review of Books
More about: American Jewry, Anti-Zionism, Film, Paul of Tarsus