Arts & Culture
In a season of mass protests in Hong Kong and a fierce dustup with the NBA, the acclaimed new Chinese-American film is (almost) silent on the costs of engaging with authoritarianism.
In 1960s Israel, Arabic-speaking Jews were invaluable as spies for their new country. In normal life, they were marginalized.
His reputation will fall and rise with his people’s.
The great theme of his work is resistance to spiritual constraint, the soul’s freedom as the highest value.
Why, in all of Jewish art, is there no image depicting the moment of Moses’ death?
Bellow’s whole career as a writer was devoted to this dichotomy, sometimes veering toward one pole, sometimes toward the other, but never losing sight of both.
The Jewish writer who became America’s most decorated novelist spent his early years prodding the nation’s soul. Then, sensing danger to it, he took up the role of guardian.
In The Smoke, the latest from the British writer Simon Ings, “Bundists” turn into grotesque shape-shifters. The implications are at once unclear and unsettling.
A letter from recently opened archives of the great writer makes clear how seriously he took the language, and by extension a possible move to Palestine.
The renowned expert on Yiddish literature stops by to talk everything Tevye, Fiddler, Sholem Aleichem, and more.
Art historians have almost completely ignored the many connections between the great Old Master and the Jews of Venice. Is there more to be said?
The noted author swings by to talk about the perils and the promises of human mortality.
Ben Hecht invented the gangster movie. He also prodded Roosevelt into saving thousands of Jews from the Nazis, and marshaled reluctant American Jews into becoming Zionists.
The great Ḥayyim Naḥman Bialik’s “Scroll of Orpah” retells the story of the book of Ruth from another perspective.
