Erez Bitton and the North African Poetic Awakening

April 10 2017

After the Yom Kippur war, the blind poet Erez Bitton began writing poetry that explicitly reflected his experiences as an Algerian-born Jew living in Israel. His work, produced at a time when Mizraḥim (Jews from Muslim lands) still faced much prejudice, opened the door for a generation of Mizraḥi poets and artists. Matti Friedman writes:

Until then, Hebrew poems and songs were about the inner lives of the new Israelis who were part of the civilization of the West, or about the beauty of Israel’s hills and valleys. They weren’t about the tenements of Ashkelon, [inhabited largely by Mizraḥi immigrants], or about where the people in those tenements had lived before. Bitton still isn’t exactly sure what the 1973 war had to do with the change in his writing, but he started mixing Arabic with his Hebrew. He used the names for the spices of his childhood home in Oran, Algeria, like lebzar, and the names of musical instruments, like the drums called tamtam and the stringed rababa. . . .

In the early 1980s, [Bitton] began writing about his desire for an Israel that could see itself as a Mediterranean society. . . . [H]e was invited regularly to speak in places like Spain and France. In the 1990s, the years of the peace process, he established fragile links with Muslim writers in North Africa. Most of these connections ended when the peace talks did. In recent years, as Europeans have turned against Israel in earnest, invitations to speak at conferences about the Mediterranean vision have dried up. If he were an Israeli who hated Israel he would be invited more, he told me, but he isn’t.

Read more at Jewish Review of Books

More about: Algeria, Arts & Culture, Erez Bitton, Hebrew poetry, Israeli literature, Mizrahi Jewry

The Benefits of Chaos in Gaza

With the IDF engaged in ground maneuvers in both northern and southern Gaza, and a plan about to go into effect next week that would separate more than 100,000 civilians from Hamas’s control, an end to the war may at last be in sight. Yet there seems to be no agreement within Israel, or without, about what should become of the territory. Efraim Inbar assesses the various proposals, from Donald Trump’s plan to remove the population entirely, to the Israeli far-right’s desire to settle the Strip with Jews, to the internationally supported proposal to place Gaza under the control of the Palestinian Authority (PA)—and exposes the fatal flaws of each. He therefore tries to reframe the problem:

[M]any Arab states have failed to establish a monopoly on the use of force within their borders. Syria, Lebanon, Iraq, Yemen, Libya, and Sudan all suffer from civil wars or armed militias that do not obey the central government.

Perhaps Israel needs to get used to the idea that in the absence of an entity willing to take Gaza under its wing, chaos will prevail there. This is less terrible than people may think. Chaos would allow Israel to establish buffer zones along the Gaza border without interference. Any entity controlling Gaza would oppose such measures and would resist necessary Israeli measures to reduce terrorism. Chaos may also encourage emigration.

Israel is doomed to live with bad neighbors for the foreseeable future. There is no way to ensure zero terrorism. Israel should avoid adopting a policy of containment and should constantly “mow the grass” to minimize the chances of a major threat emerging across the border. Periodic conflicts may be necessary. If the Jews want a state in their homeland, they need to internalize that Israel will have to live by the sword for many more years.

Read more at Jerusalem Institute for Strategy and Security

More about: Gaza War 2023, Israeli-Palestinian Conflict