Opera
Like his brother, the great Broadway lyricist wanted to absorb all America had to offer.
A century-old poster provides a window into the Yishuv.
A tale of the Italian Holocaust—and an appreciation for liberty.
These two ex-friends saw Jews as the embodiment of the evils of liberalism.
She punched a fellow student who said that Jews stink.
Jan Peerce in Moscow.
The Golden Bride, which premiered in 1923, will be revived.
He wants to take the Berlin State Opera to Tehran.
An operatic experience like no other.
There is nothing inherently wrong with making an opera about a terrorist attack, argues Walter Russell Mead in his review of the Met’s production of. . .
The Death of Klinghoffer, an opera that aims to create sympathy for the terrorist hijackers of the Achille Lauro, returns to the New York Metropolitan. . .
The Death of Klinghoffer elevates criminal pathology and is an insult to opera, music, and art.
By reviving a work that whitewashes terrorism, the Metropolitan Opera affronts not only Jews but also New York City, site of the murder of 3,000 innocents.