The recent Polish-language film Demon, a joint Polish-Israeli production loosely inspired by S. An-Sky’s classic play the The Dybbuk, tells the story of a foreigner named Python who comes to his Polish fiancée’s hometown for their wedding. (The two met while living in Britain.) Upon arriving, he discovers, or believes he discovers, human remains on the estate of his father-in-law-to-be, and is subsequently possessed by the spirit of a local Jewish woman killed during World War II, possibly on the day of her own wedding. J. Hoberman writes in his review:
A Surrealistic Film Tackles the Ghosts of Poland’s Jewish Past
Understanding Hizballah’s Sprawling South American Crime Syndicate
Sunday marked the 27th anniversary of Hizballah’s bloody bombing of a Jewish community center in Buenos Aires, which demonstrated to the world the long reach of the Lebanon-based terrorist group. But its presence in Latin America goes far beyond plotting attacks: located on the continent is the heart of its global criminal empire, which Hizballah uses to supplement the income it receives from its masters in Tehran. Emanuele Ottolenghi, drawing on detailed and extensive research, explains the inner workings of the group’s illicit operations, and its recent attempt to relocate networks disrupted by the U.S. and Europe to the tri-border area (TBA), where Paraguay, Argentina, and Brazil meet.