Photographs of Death Camp Inmates Shouldn’t Be Called “Poignant”

Sept. 22 2020

Last week, the Metropolitan Museum of Art issued a press release about a new exhibit featuring works by the widely acclaimed German artist Gerhard Richter. Lee Rosenbaum comments on the wording:

“Horrific,” “profoundly disturbing,” “jolting,” . . . but surely not “poignant.”

That mild adjective was used by the Metropolitan Museum’s communications office in its. . . for the press release announcing the display (to January 18) of Gerhard Richter‘s four paintings from his “landmark Birkenau series” of 2014, in which black-and-white photographic images of inmates who had been killed by the Nazis in the Auschwitz-Birkenau gas chamber were colorfully overlaid and obliterated, using Richter’s signature “squeegee” technique.

“Poignant” is a word that I’ve never before seen (and hope never to see again) in connection with the Holocaust. These paintings soft-pedal and aestheticize photos that were taken of gas-chamber victims while their remains were being burned and disposed of. That stark visual evidence of what might otherwise have been disbelieved and denied was surreptitiously captured on camera by the Sonderkommandos—concentration camp prisoners who were forced to “burn the hundreds of thousands of people that were gassed—some of whom they recognized as family members, friends, or acquaintances,” in the words of . . . the Museum of Jewish Heritage.

I can only hope that the next time the Birkenau series surfaces, it won’t be at an auction house or an art dealer’s gallery.

Read more at Arts Journal

More about: Art, Holocaust, Metropolitan Museum of Art

Can a Weakened Iran Survive?

Dec. 13 2024

Between the explosion of thousands of Hizballah pagers on September 17 and now, Iran’s geopolitical clout has shrunk dramatically: Hizballah, Iran’s most important striking force, has retreated to lick its wounds; Iranian influence in Syria has collapsed; Iran’s attempts to attack Israel via Gaza have proved self-defeating; its missile and drone arsenal have proved impotent; and its territorial defenses have proved useless in the face of Israeli airpower. Edward Luttwak considers what might happen next:

The myth of Iranian power was ironically propagated by the United States itself. Right at the start of his first term, in January 2009, Barack Obama was terrified that he would be maneuvered into fighting a war against Iran. . . . Obama started his tenure by apologizing for America’s erstwhile support for the shah. And beyond showing contrition for the past, the then-president also set a new rule, one that lasted all the way to October 2024: Iran may attack anyone, but none may attack Iran.

[Hayat Tahrir al-Sham’s] variegated fighters, in light trucks and jeeps, could have been stopped by a few hundred well-trained soldiers. But neither Hizballah nor Iran’s own Revolutionary Guards could react. Hizballah no longer has any large units capable of crossing the border to fight rebels in Syria, as they had done so many times before. As for the Revolutionary Guards, they were commandeering civilian airliners to fly troops into Damascus airport to support Assad. But then Israel made clear that it would not allow Iran’s troops so close to its border, and Iran no longer had credible counter-threats.

Now Iran’s population is discovering that it has spent decades in poverty to pay for the massive build-up of the Revolutionary Guards and all their militias. And for what? They have elaborate bases and showy headquarters, but their expensive ballistic missiles can only be used against defenseless Arabs, not Israel with its Arrow interceptors. As for Hizballah, clearly it cannot even defend itself, let alone Iran’s remaining allies in the region. Perhaps, in short, the dictatorship will finally be challenged in the streets of Iran’s cities, at scale and in earnest.

Read more at UnHerd

More about: Gaza War 2023, Iran, Israeli strategy, Middle East