Photographs of Death Camp Inmates Shouldn’t Be Called “Poignant”

Last week, the Metropolitan Museum of Art issued a press release about a new exhibit featuring works by the widely acclaimed German artist Gerhard Richter. Lee Rosenbaum comments on the wording:

“Horrific,” “profoundly disturbing,” “jolting,” . . . but surely not “poignant.”

That mild adjective was used by the Metropolitan Museum’s communications office in its. . . for the press release announcing the display (to January 18) of Gerhard Richter‘s four paintings from his “landmark Birkenau series” of 2014, in which black-and-white photographic images of inmates who had been killed by the Nazis in the Auschwitz-Birkenau gas chamber were colorfully overlaid and obliterated, using Richter’s signature “squeegee” technique.

“Poignant” is a word that I’ve never before seen (and hope never to see again) in connection with the Holocaust. These paintings soft-pedal and aestheticize photos that were taken of gas-chamber victims while their remains were being burned and disposed of. That stark visual evidence of what might otherwise have been disbelieved and denied was surreptitiously captured on camera by the Sonderkommandos—concentration camp prisoners who were forced to “burn the hundreds of thousands of people that were gassed—some of whom they recognized as family members, friends, or acquaintances,” in the words of . . . the Museum of Jewish Heritage.

I can only hope that the next time the Birkenau series surfaces, it won’t be at an auction house or an art dealer’s gallery.

Read more at Arts Journal

More about: Art, Holocaust, Metropolitan Museum of Art

Why Taiwan Stands with Israel

On Tuesday, representatives of Hamas met with their counterparts from Fatah—the faction of the Palestine Liberation Organization (PLO) once led by Yasir Arafat that now governs parts of the West Bank—in Beijing to discuss possible reconciliation. While it is unlikely that these talks will yield any more progress than the many previous rounds, they constitute a significant step in China’s increasing attempts to involve itself in the Middle East on the side of Israel’s enemies.

By contrast, writes Tuvia Gering, Taiwan has been quick and consistent in its condemnations of Hamas and Iran and its expressions of sympathy with Israel:

Support from Taipei goes beyond words. Taiwan’s appointee in Tel Aviv and de-facto ambassador, Abby Lee, has been busy aiding hostage families, adopting the most affected kibbutzim in southern Israel, and volunteering with farmers. Taiwan recently pledged more than half a million dollars to Israel for critical initiatives, including medical and communications supplies for local municipalities. This follows earlier aid from Taiwan to an organization helping Israeli soldiers and families immediately after the October 7 attack.

The reasons why are not hard to fathom:

In many ways, Taiwan sees a reflection of itself in Israel—two vibrant democracies facing threats from hostile neighbors. Both nations wield substantial economic and technological prowess, and both heavily depend on U.S. military exports and diplomacy. Taipei also sees Israel as a “role model” for what Taiwan should aspire to be, citing its unwavering determination and capabilities to defend itself.

On a deeper level, Taiwanese leaders seem to view Israel’s war with Hamas and Iran as an extension of a greater struggle between democracy and autocracy.

Gering urges Israel to reciprocate these expressions of friendship and to take into account that “China has been going above and beyond to demonize the Jewish state in international forums.” Above all, he writes, Jerusalem should “take a firmer stance against China’s support for Hamas and Iran-backed terrorism, exposing the hypocrisy and repression that underpin its vision for a new global order.”

Read more at Atlantic Council

More about: Israel diplomacy, Israel-China relations, Palestinian Authority, Taiwan