With its ornery protagonist and nightmarish monsters, Where the Wild Things Are has become a much-beloved American children’s book, perhaps because it is so different from typical fare. Its author, Maurice Sendak, once commented that he based the monsters on his foreign-seeming Jewish immigrant relatives. He also illustrated multiple books with more explicitly Jewish themes, as Yael Ingel relates:

Maurice was born in 1928, the youngest of three children, to Polish-Jewish immigrant parents. His mother Sarah didn’t speak a word of English when she arrived in the United States on her own at the age of sixteen in the early 1920s, following a terrible quarrel with her mother. His father Philip also arrived alone from Poland.

The first book he illustrated was called Good Shabbos, Everybody, published in 1951 by the United Synagogue Commission on Jewish Education. . . . His parents did not particularly appreciate his work and were even disappointed when he took a job as an illustrator instead of going to university. However, a momentous reconciliation occurred when Sendak was asked to illustrate the stories of Isaac Bashevis Singer, the Nobel Prize-winning writer. This was something his parents could be proud of.

Before starting work on the illustrations for [Singer’s] Zlateh the Goat and Other Stories, Maurice pulled out his parents’ family photo albums from Poland. Inside he found pictures of his father standing next to his tall handsome brothers and women with long hair adorned with flowers. He went through all the albums, selecting some of his father’s relatives and some of his mother’s, and drew them with great precision. His parents burst into tears when they saw the drawings and recognized their relatives. Maurice cried with them.

“Make no mistake,” said President Biden after the news broke of the murder of six hostages in Gaza, “Hamas leaders will pay for these crimes.” While this sentiment is correct, especially given that an American citizen was among the dead, the White House has thus far shown little inclination to act upon it. The editors of National Review remark:

Hamas’s execution of [Hersh Goldberg-Polin] should not be treated as merely an issue of concern for Israel but as a brazen act against the United States. It would send a terrible signal if the response from the Biden-Harris administration were to move closer to Hamas’s position in cease-fire negotiations. Instead, Biden must follow through on his declaration that Hamas will pay.

Richard Goldberg lays out ten steps the U.S. can take, none of which involve military action. Among them:

The Department of Justice should move forward with indictments of known individuals and groups in the United States providing material support to Hamas and those associated with Hamas, domestically and abroad. The Departments of the Treasury and State should also target Hamas’s support network of terrorist entities in and out of the Gaza Strip. . . . Palestinian organizations that provide material support to Hamas and coordinate attacks with them should be held accountable for their actions. Hamas networks in foreign countries, including South Africa, should be targeted with sanctions as well.

Pressure on Qatar should include threats to remove Qatar’s status as a major non-NATO ally; move Al Udeid air-base assets; impose sanctions on Qatari officials, instrumentalities, and assets; and impose sanctions on Qatar’s Al-Jazeera media network. Qatar should be compelled to close all Hamas offices and operations, freeze and turn over to the United States all Hamas-connected assets, and turn over to the United States or Israel all Hamas officials who remain in the country.