In the 1950s, two Yiddish-language encyclopedias of Jewish artists who died in the Holocaust were published. Remarkably enough, there was also a third and only slightly different work which almost appeared in the same decade but never made it into print. Alyssa Quint tells its story:
Der Jude und die Kunst Probleme der Gegenwart (“The Jew and the Problem of Art in Contemporary Times”) was written in German and prepared for publication in 1938 by the Austrian art historian Otto Schneid. The manuscript of this encyclopedia boasted a preface by the great German-Jewish theologian Martin Buber.
Schneid tried several times to publish his encyclopedia after the war, but he failed. Drafts of it (in German, Hebrew, and partially in English) are held in the University of Toronto’s Fisher Archive, where Schneid’s collection also includes letters that he received from artists throughout the 1930s and letters from surviving artists who wrote to him in the 1950s.
Schneid was a firsthand witness to the École de Paris, or School of Paris, and its robust Jewish component. . . . The art historian Edouard Roditi explains that many of these artists, especially between 1910 and 1940, were of East European Jewish origin, leading some to refer to this scene as the Jewish school of Paris or school of Montparnasse, for the Left Bank neighborhood where these Jewish artists lived and congregated. These were the artists that Schneid sought to document in real time.
More about: French Jewry, Holocaust, Jewish art