The Jewish Trumpeter Who Survived the Holocaust by Playing Jazz for the Nazis

April 29 2019

Born in the Czech city of Brno in 1918, where he lived until the beginning of World War II, Eric Vogel was a jazz enthusiast and accomplished amateur trumpet player. Although official Nazi propaganda denounced jazz as a degenerate art form associated with Jews and blacks, a number of SS officers nonetheless were avid listeners. One such officer had encountered Vogel at a jazz club and, after the Nazi invasion of Czechoslovakia, took him under his protection. Amanda Petrusich describes what followed:

While Vogel was imprisoned by the Nazis—first in the so-called model camp, Theresienstadt, [designed entirely for foreign consumption], and then later at the Auschwitz death camp—he and a dozen or so others played in a jazz band called the Ghetto Swingers. There were similar groups at many camps throughout Nazi-controlled Europe: musicians who were forced to perform, on command and under inconceivable duress, for the SS. . . . .

The Ghetto Swingers were being compelled to participate in what was, by all accounts, a hideous charade, but the music that they played was real—which means that, for the players, it still offered a brief, guilty kind of solace, a bit of “joy and pleasure,” as Vogel wrote. . . . Vogel was able to recruit some of the best European players of the interwar era, including the clarinetist Fritz Weiss, and he soon found himself a little out of his league, musically. . . .

On June 23, 1944, delegates from the International Committee of the Red Cross arrived to inspect Theresienstadt in person. The Ghetto Swingers set up and played in the band shell. . . . The Red Cross accepted the display, and, three months after its representatives left, on September 28th, the Nazis began emptying the camp.

The Ghetto Swingers were sent to Auschwitz, every member aside from Vogel on the first transport train. Some of them, including Fritz Weiss, were marched from the train directly into a gas chamber. . . . Vogel was eventually reunited with a few surviving members of the band. At Auschwitz, 30 or so musicians were selected to entertain the Nazis; they were assigned to a special barracks, and dressed in “sharp-looking” band uniforms. “We had to play from early in the morning until late in the evening for the German SS, who came in flocks to our barracks,” Vogel wrote. But, after four weeks, the Nazis disassembled the band and loaded its members onto a train. . . .

Vogel survived by jumping off that train, which was bound for Dachau, in 1945, as the Nazis rushed to cover up their crimes and eliminate the remaining Jews before succumbing to the Allies.

Read more at New Yorker

More about: Auschwitz, Holocaust, Music, Nazis

Will Defeat Lead Palestinians to Reconsider Armed Struggle?

June 12 2025

If there’s one lesson to be learned from the history of the Israel-Arab conflict, it’s never to be confident that an end is in sight. Ehud Yaari nevertheless—and with all due caution—points to some noteworthy developments:

The absolute primacy of “armed struggle” in Palestinian discourse has discouraged any serious attempt to discuss or plan for a future Palestinian state. Palestinian political literature is devoid of any substantial debate over what kind of a state they aspire to create. What would be its economic, foreign, and social policies?

One significant exception was a seminar held by Hamas in Gaza—under the auspices of the late Yahya Sinwar—prior to October 7, 2023. The main focus of what was described as a brainstorming session was the question of how to deal with the Jews in the land to be liberated. A broad consensus between the participants was reached that most Israeli Jews should be eradicated or expelled while those contributing to Israel’s success in high tech and other critical domains would be forced to serve the new Palestinian authorities.

Yet, the ongoing aftershocks from the ongoing war in Gaza are posing questions among Palestinians concerning the viability of armed struggle. So far this trend is reflected mainly in stormy exchanges on social-media platforms and internal controversies within Hamas. There is mounting criticism leveled at the late Mohammad Deif and Yahya Sinwar for embarking upon an uncoordinated offensive that is resulting in a “Second Nakba”—a repeat of the defeat and mass displacement caused by launching the war in 1948.

To be sure, “armed struggle” is still being preached daily to the Palestinian communities by Iran and Iranian proxies, and at least half the Palestinian public—according to various polls—believe it remains indispensable. But doubts are being heard. We may be reaching a point where the Palestinians will feel compelled to make a choice between the road which led to past failures and an attempt to chart a new route. It will certainly require time and is bound to cause fractures and divisions, perhaps even a violent split, among the Palestinians.

Read more at Jerusalem Strategic Tribune

More about: Gaza War 2023, Israeli-Palestinian Conflict, Yahya Sinwar