Considered by critics one of the most talented classical performers of the modern era, the Swiss-born French pianist Alfred Cortot (1877–1962) was also a Germanophile and admirer of Wagner, who sought to put his talents and reputation to the service of the Vichy regime only a few days after it was established. After the war, he was imprisoned for three days, banned from playing for a year, and in 1947 was still a controversial figure. Two years later, French public opinion had more or less forgiven him. Terry Teachout, while admitting that Cortot deserves to be called a genius, examines the moral dimension of his career, and notes those of his admirers who “feel obliged to mention . . . that he was also among the most notorious of France’s collabos typically do so in muted, almost apologetic tones.”

On December 20, a Palestinian waited in a wooded area near a Jewish village in northern Israel in the hope of encountering a victim. Soon enough he spotted Esther Horgan walking home from an evening jog and killed her by beating her with a rock. He later told the police that he did the deed to avenge the death of Kamal Abu Wa’er, a terrorist in Israeli custody. Itamar Marcus explains: