The Polish-Jewish Writer Who Made a Mural for a Nazi’s Children

Often compared to Franz Kafka, the Polish writer and artist Bruno Schulz shared much in common with his older contemporary: both were natives of the Habsburg empire; both were somewhat ambivalent Jews writing in non-Jewish languages; both enjoyed drawing as well as writing; both had work that was the subject of posthumous controversy; and both wrote stories where the main character is transformed into a cockroach. Boris Dralyuk reviews two new books that bring Schulz’s life and work to an English-speaking audience:

Schulz was in life and remains in death the archetype of the peripheral artist. Born into a Jewish family on the outskirts of the Austro-Hungarian empire in 1892, he matured on the outskirts of interwar Poland—all without abandoning Drohobych, which is situated in the far west of today’s Ukraine. A man of geographical margins, he was also a somewhat marginal character on the Polish literary scene. He published two collections of short stories . . . which garnered much interest and earned him, in 1938, the Golden Laurel of the Polish Academy of Literature—but kept his day job as a teacher of arts and crafts at the local secondary school. He claimed to have detested the work, but quitting was out of the question, for reasons both economic and, one gathers, psychological.

During the Nazi occupation he was granted the status of “necessary Jew” for his artistic skills and lived under the tenuous protection of Drohobych’s sadistic SS overseer, Felix Landau. Landau ordered Schulz to paint fairy-tale scenes—perhaps inspired . . . by the Disney film Snow White and the Seven Dwarfs (1937)—on the walls of his young son’s nursery in his “villa.” Covered up for decades, the murals were rediscovered by a German filmmaker in 2001, in what was by then a private flat. Only months later a team of Israeli agents removed large portions and spirited them away to Jerusalem, where they are now on display at Yad Vashem.

Produced under duress, these images of “kings, knights, squires,” one of Schulz’s students, Emil Górski, recalled in 1980, “had the completely ‘un-Aryan’ features” of the faces of people among whom Schulz lived at the time. “It was on the walls of a Nazi’s nursery,” Górski continues, that “these tormented people . . . found for themselves in paintings brilliant richness and pride.”

Read more at Times Literary Supplement

More about: Holocaust, Jewish literature, Polish Jewry

 

How Columbia Failed Its Jewish Students

While it is commendable that administrators of several universities finally called upon police to crack down on violent and disruptive anti-Israel protests, the actions they have taken may be insufficient. At Columbia, demonstrators reestablished their encampment on the main quad after it had been cleared by the police, and the university seems reluctant to use force again. The school also decided to hold classes remotely until the end of the semester. Such moves, whatever their merits, do nothing to fix the factors that allowed campuses to become hotbeds of pro-Hamas activism in the first place. The editors of National Review examine how things go to this point:

Since the 10/7 massacre, Columbia’s Jewish students have been forced to endure routine calls for their execution. It shouldn’t have taken the slaughter, rape, and brutalization of Israeli Jews to expose chants like “Globalize the intifada” and “Death to the Zionist state” as calls for violence, but the university refused to intervene on behalf of its besieged students. When an Israeli student was beaten with a stick outside Columbia’s library, it occasioned little soul-searching from faculty. Indeed, it served only as the impetus to establish an “Anti-Semitism Task Force,” which subsequently expressed “serious concerns” about the university’s commitment to enforcing its codes of conduct against anti-Semitic violators.

But little was done. Indeed, as late as last month the school served as host to speakers who praised the 10/7 attacks and even “hijacking airplanes” as “important tactics that the Palestinian resistance have engaged in.”

The school’s lackadaisical approach created a permission structure to menace and harass Jewish students, and that’s what happened. . . . Now is the time finally to do something about this kind of harassment and associated acts of trespass and disorder. Yale did the right thing when police cleared out an encampment [on Monday]. But Columbia remains a daily reminder of what happens when freaks and haters are allowed to impose their will on campus.

Read more at National Review

More about: Anti-Semitism, Columbia University, Israel on campus