An “Unmissable” Exhibit on Auschwitz Falls into the Familiar Trap of Universalizing the Holocaust

To Edward Rothstein, Auschwitz. Not Long Ago. Not Far Away, which recently opened at the Museum of Jewish Heritage in New York City, is “unmissable,” thanks primarily to the hundreds of photographs and artifacts on display. But it also falls prey to the all-too-familiar tendency to turn the Holocaust into a “warning beacon”:

Here is an event scarred by singularity—the attempt to eradicate a people that numbered in the millions, living in more than a dozen countries in the world’s most politically sophisticated continent, who were executed with meticulous, obsessive brutality in the midst of a world war. After three- quarters of a century, it still stymies efforts at understanding.

Somehow, though, that singularity inspires insistence on the opposite, as if the Holocaust were simply the result of fascism or racism or intolerance. The Holocaust’s presumed repeatability—if not imminence—strips it of particularity and diminishes it by turning it into an ever-ready analogy. . . .

In the [exhibit’s] introductory section, Jews seem like afterthoughts, secondary to more fundamental political hatreds. . . . But from the very beginning, as Hitler made clear in 1925’s Mein Kampf (we see Heinrich Himmler’s annotated copy), Jews were at the center of Nazi obsessions. The exhibition acknowledges that Jews were a “special target,” but it seems intent on minimizing that issue. The result is that Germany’s expulsion of the Jews and then the Final Solution seem to erupt without context. . . .

[T]he exhibition does not prepare us to make sense of this or to recognize that despite the widespread suffering, without the goal of killing Jews, Auschwitz would have remained a conventional Nazi horror pit. Auschwitz is testimony to an obsession, around which other hatreds inconsistently circulated.

Make no mistake: this show wields considerable power, but, like most Holocaust exhibitions (aside from Yad Vashem in Jerusalem), it is oddly discomfited by that Judaic center and overly content with contemporary platitudes. In the catalog, Piotr M.A. Cywiński, the director of the Auschwitz museum, warns that an Auschwitz could happen again because of “the escalation of populism, xenophobia, anti-Semitism, and other racist ideologies.” This need to catalog villainies has counterparts in other recent responses toward hatred of Jews, making sure that any condemnation of anti-Semitism is cushioned by a roster of other hatreds.

Read more at Wall Street Journal

More about: Auschwitz, Holocaust, Holocaust Museums, Jewish museums

A Bill to Combat Anti-Semitism Has Bipartisan Support, but Congress Won’t Bring It to a Vote

In October, a young Mauritanian national murdered an Orthodox Jewish man on his way to synagogue in Chicago. This alone should be sufficient sign of the rising dangers of anti-Semitism. Nathan Diament explains how the Anti-Semitism Awareness Act (AAA) can, if passed, make American Jews safer:

We were off to a promising start when the AAA sailed through the House of Representatives in the spring by a generous vote of 320 to 91, and 30 senators from both sides of the aisle jumped to sponsor the Senate version. Then the bill ground to a halt.

Fearful of antagonizing their left-wing activist base and putting vulnerable senators on the record, especially right before the November election, Democrats delayed bringing the AAA to the Senate floor for a vote. Now, the election is over, but the political games continue.

You can’t combat anti-Semitism if you can’t—or won’t—define it. Modern anti-Semites hide their hate behind virulent anti-Zionism. . . . The Anti-Semitism Awareness Act targets this loophole by codifying that the Department of Education must use the International Holocaust Remembrance Alliance’s working definition of anti-Semitism in its application of Title VI.

Read more at New York Post

More about: Anti-Semitism, Congress, IHRA