What Do Tiny Letters Have to Do with the Yiddish Stage?

Jan. 23 2015

Micrography, the use of miniature writing to draw shapes and pictures, has been a Jewish art form for over a millennium. Traditionally, the letters spell out biblical verses and form images of biblical scenes or religious objects. But Louis Rotblat, a Polish-born Jew who made his way first to England and later to New York, used micrography to draw portraits, including of two of the greatest figures of the American Yiddish theater: the playwrights Abraham Goldfaden and Jacob Gordin. David Mazower writes:

[Rotblat] had a genius for creating micrographs—minutely detailed compositions made up of thousands of tiny letters that appear whole from a distance but fracture and dissolve when viewed close up.

This unique form of Jewish folk art has a long history . . . and is still being practiced today. A micrographic artist needs the compositional skills of an architectural draughtsman, the fearlessness of a tattooist, and the flowing hand of an artist. Plus the fluency and stamina of the sofer, the Torah scribe, the occupation that many micrographers followed.

Rotblat created his first known micrographic portrait in London in 1897. It paid tribute to . . . Abraham Goldfaden, the founding father of the Yiddish stage. The Goldfaden micrograph . . . uses thousands of words from the text of the biblical operetta Shulamis, one of the most popular of all Goldfaden plays. In similar vein, his 1909 portrait of Jacob Gordin was also minutely detailed and was based on the text of a hugely popular play. This time it was Gordon’s Mirele Efros, also known as The Jewish Queen Lear.

Read more at Digital Yiddish Theatre Project

More about: Abraham Goldfaden, Arts & Culture, Jacob Gordin, Jewish art, Lower East Side, Yiddish theater

How Did Qatar Become Hamas’s Protector?

July 14 2025

How did Qatar, an American ally, become the nerve center of the leading Palestinian jihadist organization? Natalie Ecanow explains.

When Jordan expelled Hamas in 1999, Qatar offered sanctuary to the group, which had already become notorious for using suicide-bombing attacks over the previous decade. . . . Hamas chose to relocate to Syria. However, that arrangement lasted for only a decade. With the outbreak of the Syrian civil war, the terror group found its way back to Qatar.

In 2003, Hamas leaders reportedly convened in Qatar after the IDF attempted to eliminate Hamas’s founder, Sheikh Ahmed Yassin, following a Hamas suicide bombing in Jerusalem that killed seven people, including two American citizens. This episode led to one of the first efforts by Qatar to advocate for its terror proxy.

Thirteen years and five wars between Hamas and Israel later, Qatar’s support for Hamas has not waned. . . . To this day, Qatari officials maintain that the office came at the “request from Washington to establish indirect lines of communication with Hamas.” However, an Obama White House official asserted that there was never any request from Washington. . . . Inexplicably, the United States government continues to rely on Qatar to negotiate for the release of the hostages held by Hamas, even as the regime hosts the terror group’s political elite.

A reckoning is needed between our two countries. Congressional hearings, legislation, executive orders, and other measures to regulate relations between our countries are long overdue.

Read more at FDD

More about: Gaza War 2023, Hamas, Qatar, U.S. Foreign policy