A Dutch Convert’s Illustrated Haggadah

Since the Middle Ages, Jewish scribes, printers, and artists have produced magnificent and varied illustrated Haggadahs, including the 14th-century masterpiece known as the Lombard Haggadah, with its anomalous picture of the slaughter of a pig. Rebecca J.W. Jefferson describes some of those found in the University of Florida’s Judaica collection, among them a Dutch Haggadah printed in 1695:

The Amsterdam Haggadah was illustrated by Abraham Bar Yaakov, a German pastor who converted to Judaism. Abandoning the standard use of woodcut images, Bar Yaakov created a series of copper engravings based on Bible illustrations by the Swiss engraver Matthäus Merian the Elder. In addition, he incorporated a pull-out map of the route of the Exodus and an imaginative rendering of the Temple in Jerusalem.

Bar Yaakov also added an image of the “four sons” standing together—one of the many elements of Haggadahs designed to engage and instruct children sitting through the long seder meal. Each son represents a different type of child, described by his attitude toward Passover: wise, wicked, silent, and one who does not even know how to ask questions about the holiday.

In medieval Haggadahs, the wicked son was usually portrayed as a combatant—the personification of evil for European Jews who had suffered recurrent mob raids and violent expulsions. In Bar Yaakov’s rendering, the wicked son is a Roman soldier precariously balanced on one foot and looking back toward the wise son, who is depicted as Hannibal, the Carthaginian general who battled Rome in the 3rd century BCE.

Read more at The Conversation

More about: Haggadah, Jewish art, Passover, Rare books

When It Comes to Iran, Israel Risks Repeating the Mistakes of 1973 and 2023

If Iran succeeds in obtaining nuclear weapons, the war in Gaza, let alone the protests on college campuses, will seem like a minor complication. Jonathan Schachter fears that this danger could be much more imminent than decisionmakers in Jerusalem and Washington believe. In his view, Israel seems to be repeating the mistake that allowed it to be taken by surprise on Simchat Torah of 2023 and Yom Kippur of 1973: putting too much faith in an intelligence concept that could be wrong.

Israel and the United States apparently believe that despite Iran’s well-documented progress in developing capabilities necessary for producing and delivering nuclear weapons, as well as its extensive and ongoing record of violating its international nuclear obligations, there is no acute crisis because building a bomb would take time, would be observable, and could be stopped by force. Taken together, these assumptions and their moderating impact on Israeli and American policy form a new Iran concept reminiscent of its 1973 namesake and of the systemic failures that preceded the October 7 massacre.

Meanwhile, most of the restrictions put in place by the 2015 nuclear deal will expire by the end of next year, rendering the question of Iran’s adherence moot. And the forces that could be taking action aren’t:

The European Union regularly issues boilerplate press releases asserting its members’ “grave concern.” American decisionmakers and spokespeople have created the unmistakable impression that their reservations about the use of force are stronger than their commitment to use force to prevent an Iranian atomic bomb. At the same time, the U.S. refuses to enforce its own sanctions comprehensively: Iranian oil exports (especially to China) and foreign-currency reserves have ballooned since January 2021, when the Biden administration took office.

Israel’s response has also been sluggish and ambiguous. Despite its oft-stated policy of never allowing a nuclear Iran, Israel’s words and deeds have sent mixed messages to allies and adversaries—perhaps inadvertently reinforcing the prevailing sense in Washington and elsewhere that Iran’s nuclear efforts do not present an exigent crisis.

Read more at Hudson Institute

More about: Gaza War 2023, Iran nuclear program, Israeli Security, Yom Kippur War