Since the Middle Ages, Jewish scribes, printers, and artists have produced magnificent and varied illustrated Haggadahs, including the 14th-century masterpiece known as the Lombard Haggadah, with its anomalous picture of the slaughter of a pig. Rebecca J.W. Jefferson describes some of those found in the University of Florida’s Judaica collection, among them a Dutch Haggadah printed in 1695:
The Amsterdam Haggadah was illustrated by Abraham Bar Yaakov, a German pastor who converted to Judaism. Abandoning the standard use of woodcut images, Bar Yaakov created a series of copper engravings based on Bible illustrations by the Swiss engraver Matthäus Merian the Elder. In addition, he incorporated a pull-out map of the route of the Exodus and an imaginative rendering of the Temple in Jerusalem.
Bar Yaakov also added an image of the “four sons” standing together—one of the many elements of Haggadahs designed to engage and instruct children sitting through the long seder meal. Each son represents a different type of child, described by his attitude toward Passover: wise, wicked, silent, and one who does not even know how to ask questions about the holiday.
In medieval Haggadahs, the wicked son was usually portrayed as a combatant—the personification of evil for European Jews who had suffered recurrent mob raids and violent expulsions. In Bar Yaakov’s rendering, the wicked son is a Roman soldier precariously balanced on one foot and looking back toward the wise son, who is depicted as Hannibal, the Carthaginian general who battled Rome in the 3rd century BCE.
More about: Haggadah, Jewish art, Passover, Rare books